Works included in this catalogue Cruikshank 29 etchings {1899} NGV [ET] * Cruikshank & Mottram The Worship of Bacchus 1864 {by 1865} Loc? [PR] and Cruikshank & Mottram The Worship of Bacchus… 1864 (c.2) {1868} NGV [PR] In the first half of his career, Cruikshank produced numerous caricatures of the foibles of early 19th-century politics
Cruikshank, George (1792-1878; English) 29 etchings Presented by B.Moore, 1899 National Gallery of Victoria (acc.nos.4203.1-3 to 4203.29-3) [reproduction: Monstrosities of 1822 (NGV 4203.3-3)] These etchings provide a good sample of Cruikshank’s caricatures of the foibles of contemporary politics and fashion, in the tradition of Gillray, Rowlandson, and his father Isaac (1746-1811). While not listed in the
Duveneck, Frank (1848-1919; American) Riva degli Schiavoni, no.1 1880 Etching on paper, c.21.7 x 33.2 cm (plate) Purchased 1899 (advice of Bernard Hall) National Gallery of Victoria (55-2) Duveneck, who grew up in Ohio, studied art in Munich, and later worked and taught there. By 1875 he had established a reputation as an outstanding young painter,
Barry, James (1741-1806; Irish) 29 prints on various subjects (see details below) Etching and engraving, various sizes Presented by the Society for the Encouragement of Arts, &c., London, 1881 National Gallery of Victoria (p.183.200-1 to p.183.221-1 and p.183.224-1 to p.183.228-1) and Unidentified; location unknown (p.183.222-1 & p.183.223-1) [photo: Satan and his legions (c.1792-95) (p.183.226-1)] Barry,
Works by/donated by Queen Victoria included in this catalogue Albert [Prince] after Victoria [Queen] Islay 1840 {1893} NGV [ET] Albert [Prince] Head of a Dachshund 1840 {1893} NGV [ET] Albert [Prince] after Cranach Frederick III 1840 {1893} NGV [ET] Albert [Prince] after Voordecker Pigeons 1841 {1893} NGV [ET] Albert [Prince] after Carracci (Annibale) (?) Eagles 1841 {1893}
Works by Albert included in this catalogue Albert [Prince] after Victoria [Queen] Islay 1840 {1893} NGV [ET] Albert [Prince] Head of a Dachshund 1840 {1893} NGV [ET] Albert [Prince] after Cranach Frederick III 1840 {1893} NGV [ET] Albert [Prince] after Voordecker Pigeons 1841 {1893} NGV [ET] Albert [Prince] after Carracci (Agostino) [attrib.] Eagles 1841 {1893} NGV
Albert, Prince (1819-61; German/English), after Landseer, Edwin (1802-73; English) (?) Two Peasant Women 1842 Etching on chine collé, 20.3 x 15.3 cm (image and plate), 43.5 x 29.7 cm irreg. (sheet) Gift of Queen Victoria, 1893 National Gallery of Victoria (p.192.7-1) This skilful print, somewhat reminiscent of the etchings of the young Rembrandt and his Dutch
Albert, Prince (1819-61; German/English), after a follower of Agostino Carracci (1557-1602; Italian) Eagles 1841 Etching on chine collé, 22.8 x 15.2 cm (image and plate), 43.4 x 29.9 cm (sheet) Gift of Queen Victoria, 1893 National Gallery of Victoria (p.192.6-1) This print, which demonstrates considerable technical skill, is inscribed (on the plate) “Albert 28/8 41” and “after H. Carracci.”
Albert, Prince (1819-61; German/English), after Voordecker, Hendrik (1779-1861; Belgian) Pigeons 1841 Etching on card, 16.7 x 11 cm (image and plate), 43.4 x 30 cm (sheet) Gift of Queen Victoria, 1893 National Gallery of Victoria (p.193.1-1) Both NGV 1894 and 1905 suggest that the original design was by the Belgian artist Eugène Joseph Verboeckhoven (1798-1881), known for
Albert, Prince (1819-61; German/English), after Cranach, Lucas the Elder (1472-1553; German) Frederick III, Elector of Saxony 1840 Etching on chine collé, 19.4 x 13.8 cm (image), 25 x 20.1 cm (plate), 53.8 x 37.8 cm (sheet) Gift of Queen Victoria, 1893 National Gallery of Victoria (p.192.8-1) The plate is inscribed at the lower margin “Albert after the Original
Albert, Prince (1819-61; German/English) Head of a Dachshund 1840 Etching on chine collé, 6.5 x 9 cm irreg. (image), 10.2 x 15.3 cm (plate), 33.7 x 49.6 cm (sheet) Gift of Queen Victoria, 1893 National Gallery of Victoria (p.192.5-1) The inscription indicates that this print, dated 4 October 1840, was drawn and etched by Albert alone.