Gill Melbourne Exhibition Buildings 1854 {1868?} SLV [PR]

Gill, S.T. (1818-80; English/Australian) The Melbourne Exhibition Buildings, N.W.Angle 1854 Lithograph, 15.6 x 22.2 cm (visible image), mounted Acquired 1868 (gift of John Pascoe Fawkner?)  State Library of Victoria (H2295) This print, published by Blundell & Co., is inscribed on the mount: “Melbourne’s First Exhibition Building / on the present site of the / Royal Mint.”

Gerlier Inauguration of Monument… {1868} NGV [PR]

Gerlier (b.1826; French/Belgian) Inauguration of Monument… Constitution of Belgium (c.1859) Colour lithograph Presented by the Belgian Government, 1868 National Gallery of Victoria (p.179.14-1) The constitution of modern Belgium, which dates back to 1831, was commemorated in the Colonne du Congrès or Independence Column, erected in Brussels from 1850-59, to a design by Joseph Poelart (1817-79). The

Edelinck after Turchi The Deluge {1868} NGV [PR]

Edelinck, Gérard (1640-1707; Flemish/French), after Turchi, Alessandro (1578-1649; Italian) The Deluge 1681 Engraving, size unknown Presented by John Pascoe Fawkner, 1868 National Gallery of Victoria (p.180.14-1) Both the 1894 and 1905 NGV catalogues list this print as donated by George Collins Levey in 1879, a logical enough presumption, since his gift did include all the other

Dürer St Jerome in his Study 1514 {1891} NGV [PR]

Dürer, Albrecht (1471-1528; German) St Jerome in his Study 1514 Engraving on paper, 24.3 x 18.5 cm (image) Purchased, 1891 (advice of Hubert von Herkomer) National Gallery of Victoria (p.184.12/1) Here, Dürer achieved remarkable subtlety in suggesting the variety of light and texture through strictly graphic means. The lion, the Church Father’s traditional companion, sleeps peacefully

Dürer Melencolia I 1514 {1891} NGV [PR]

Dürer, Albrecht (1471-1528; German) Melencolia I 1514 Engraving on paper, 23.9 x 18.6 cm (image) Purchased, 1891 (advice of Hubert von Herkomer) National Gallery of Victoria (p.184.13/1) Scholarly studies of the symbolism of this remarkable print emphasize its exploration of the creative process. This impression, of the more common second state, is described by the

Dürer Knight, Death and the Devil 1513 {1891} NGV [PR]

Dürer, Albrecht (1471-1528; German) Knight, Death and the Devil 1513 Engraving on paper, 24.6 x 18.9 cm Purchased, 1891 (advice of Hubert von Herkomer) National Gallery of Victoria (p.184.14/1) One of the three “master engravings” by Dürer bought from Seymour Haden’s collection for Melbourne in 1891, this famous print blends themes from the Northern European

De Mare after Schenck Anguish 1879 {1880} NGV [PR]

De Mare, T. (details unknown) after Schenck, August Friedrich Albrecht (1828-1901; Danish) Anguish 1879 Engraving Purchased 1880 National Gallery of Victoria (p.183.199-1) This print reproduces Schenck’s painting, also acquired for the NGV: see Schenck Anguish {1879} NGV [PA]. The inscriptions indicate that this print was published by Agnew & Sons, on January 1st 1879.  Information on De

Dawe after Raeburn (?) Lord Alexander Abercromby {by 1865} Loc? [PR]

Dawe, George (1781-1829; English), after (?) Raeburn, Henry (1756-1823; Scottish) Lord Alexander Abercromby (1800) Mezzotint Acquired by 1865 Present location unknown Abercromby (1745-95) was a Scottish lawyer and essayist. NGV 1905 indicates Raeburn as the source. However, another impression, in the National Portrait Gallery, London (reproduced below), is listed as after an unknown artist. [photo

* Carracci (Agostino) after Barocci Aeneas bearing his father Anchises {by 1894} Loc? [PR]

Carracci, Agostino (1557-1602; Italian), after Barocci, Federico (c.1535-1612; Italian) Aeneas bearing his father, Anchises, from burning Troy (1595) Engraving, c.38.2 x 55 cm Acquired by 1894 Location unknown Both NGV 1894 and 1905 describe the pre-Felton impression of this engraving as one of those donated by George Collins Levey in 1879, but this appears to be incorrect. The

* Carmichael Sydney Cove from the Stream 1838 {1891} Loc? [PR]

Carmichael, John (1811-57; Scottish/Australian) Sydney Cove from the Stream 1838 Engraving, c.7.3 x 17.0 cm (image) Purchased, 1891 Present location unknown See * Carmichael Sydney Cove, from Fort Philip 1838 {1891} Loc? [PR]. [photo: comparative impression in NGA, Canberra (purchased, 2004)] Refs. AR 1891, p.25; NGV 1894, p.112 (V.Buvelot Gallery, 3rd bay, no.16); NGV 1905, p.133 (V.Buvelot

* Béatrizet after Michelangelo The Last Judgement {by 1894} Loc? [PR]

Béatrizet, Nicolas (c.1507/15 – after 1577?; French), after Michelangelo Buonarotti (1475-1564; Italian) The Last Judgement Engraving in 10 sheets, overall size unknown Date of acquisition unknown (by 1894) Present location unknown This large-scale engraving of Michelangelo’s famous Sistine Chapel fresco (1536-41), produced in a lavish multi-sheet format, was first issued in 1562 by the French-publisher

Bai after Germak La Monténégrine {1868} NGV [PR]

Bai, Jos. (details unknown), after Germak, Jar (details unknown) La Monténégrine Engraving Presented by the Belgian Government 1868 National Gallery of Victoria (p.179.12-1) The title translates as “a woman from Montenegro”; she appears to be wearing the national costume. Neither artist involved in producing this print (as identified in the inscriptions) has been traced. For

*Adlard after Evans (G.) Hobart Town, 1821 {by 1894} Loc? [PR]

Adlard, Henry (active c.1821-70; English), after Evans, George William (1780-1852; English) Hobart Town, 1821 Engraving, size unknown Acquired by 1894 Unidentified; present location unknown Evans, a noted early colonial explorer and surveyor, and an artist of considerable ability, arrived in Sydney via South Africa in 1802. He was second-in-command to Surveyor-General John Oxley during the